Breve New Stories seeks submissions from new and emerging authors.
Despite the vagueness of the term emerging, we received many entries from writers that recognised themselves as such. Conventionally, an emergent author or artist is one that has some evidence of professional achievement but not a substantial record of accomplishment and who is not recognised as established by other artists, curators, critics and industry insiders. This description focuses more on the financial/professional status of being an author than on the individual development of the writer per se, the process of learning the craft and the daily challenges of creation.
The term works as a sort of barrier between writers published by medium/big publishing houses that have plenty of press coverage, who market aggressively for their authors and can therefore often guarantee them a consistent compensation, and all the remaining authors in the most different places, be that writing on-line or self publishing. At the same time emergent writers represent a pool of talents from which the mainstream industry often outsources the best, freshest and most innovative works of literature. There is also no way to deny that in this process are involved, other than talent, lots of luck and lots of politics. It is a sad but widely known truth in all creative environments, but one that doesn’t stop writers from writing and wanting to ’emerge’.
Breve‘s look on this is this: the writer is the one who writes, who consistently strives to refine one’s skills by giving time and energy to one’s work. The writer is the one that is brave enough to embrace the challenge and takes the risk not only to write, but to be read by others. Emerging writers, as new writers, are not second class authors, they can only be good or bad writers, and together with the so-called ‘established’ authors, are writers in progress, working everyday on their skills, styles and inspirations. The literary quality of a work does not necessarily run parallel to the hierarchy of establishment.
Today there are many ways to pursue this goal: the Internet, self publishing, MFA in creative writing and literary projects such as Breve. All these opportunities are viable but all of them ask writers to look beyond their ambition for status to what writing means to them, they all ask: how bad do you want to write? That bad? Then be a writer.
Two different intakes on the emerging writer: